The Research Of Zhou Xinfang And His Performing Arts By The Vision Of Modern Media, Using The Historical Date In Print Media From Republican Period

The performance of drama has a long hist ory, Peking opera, which born in the late Qing Dynasty, even became the quintessence of China. The twentieth century was the rapid development era of Beijing opera. Shanghai is one of m odern China’s most important cities, Beijing Opera performing arts developed very fast here, and became one of the most m ainstream pastime way of Shanghai. Beijing opera tide swept the country, quickly becom e mainstream entertainment fashion. Opera perform ance market continued to heat up also spawne d a lar ge number of opera perform ances artist, Zhou Xinfang is one of the m. He is not only the founder of “Qipai”, but also the guru of “Haipai”. His life was not only dedicated to the exploration of opera performing arts, but also keen to public pe rformances, has a remarkable contribution on the field of opera performances, opera improvement and patriotic indoctrination.The rise of modern m edia is also the most noteworthy and im portant events of the twentieth century. As the spread of vector social Hotpoint, modern media took up the responsibility of record for the opera’ s development. Reading and exploration the inextricably linked between the two thi ngs naturally becam e worthy of study. Shanghai as China originator of modern media, newspapers like the“Shen bao”,“Xi ju zhou bao”,“San liu jiu hua bao” as the representatives of the print m edia took up the historical task of dissem ination of opera performing arts. Modern media attentions Beijing Opera artist’s stage activities, play ed an im portant role in perform ances publicity, celebrity coverage, and perfor mance reviews. Modern m edia tracking reports of Zhou Xinfang, clearly presented Zhou ’s performing arts and his personal activities in front of the readers, which is the best sample for the study of opera Zhou Xinfang and the Peking opera perform ing arts during the period of the Republic of China.In this paper, a total of four chapters, rooted in the m odern media-related historical data, collected a large number of performance related Zhou Xinfang theater critic, advertising, news and other original information. Throughout the text, the first chapter, in chronological order, elaborate generation m aster Zhou Xinfang growth process, reviews the developm ent of dif ferent periods of Zhou Xinfa ng context of performing arts; the second ch apter of historical depart ure from modern media, research Zhou Xinfang’s Performing Arts features and innovation; Chapter combing Zhou Xinfang’s show relevant ads and in formation on modern m edia, research propagation Qipai art; chapter four is based on income newspaper literature, referring to contemporary communication theory and research science, analysis the important influence of modern media on Zhou Xinfang and Qipai art.