Study Of Yan Shu Ci On The Ci-theory And The Ci-anthologies

As the foundation ancestor of leaning sound in the Northern Song Dynasty, Yan Shu has his own position in the history of Song lyrics. This paper is about the research of the broadcasting of Yan Shu’s poem and the great influence brought by him through the inspection of Yan Shu’s selection of poem, notation and theory.During the research, the writer not only does work on the poem of Yan Shu, but also keep an eye on the comparative study of the other composers of that period or later such as Ou Yangxiu, Zhang Xian and Yan Jidao. The writer is trying to present the way of broadcast of Yan Shu’s poem by the specific data and resources. In this way, we will find out the position of Yan Shu’s poem and people’s point on them in the big background of time.Eventually came to the conclusion that Yan Shu’s poem in the Northern Song Dynasty is fairly valued and highly positioned. However, this situation changes in the Southern Song Dynasty. People don’t pay much attention on Yan Shu’s poem, the poem of Yan Shu lose its position that it deserved. In Yuan Dynasty, there is none broadcast on Yan Shu’s poem because of the condition of that age. Due to the influence of Thatched cottage poetry rest in the mid-term of Ming Dynasty, the poem of Yan Shu once picked up its importance and then faded away along with the changes of ethos. In Qing Dynasty, the status of treatment of Yan Shu’s poem is at the general level. While this situation is just presented on the aspect of the broadcasting, the position of Yan Shu’s poem is being confirmed and the theory had been improved on the basics of composers in Song. In a word, throughout the four Dynasty of Song, Yuan, Ming, Qing, Yan Shu can be disturbed as famous but not a master.The innovation point of this paper lies in the following aspects: firstly, it takes the panoramic watch of the situation of the broadcast and position of Yan Shu’s poem on the basics of detailed research of the selection of poem and theory. Secondly, it corrects some wrong points of former people by analyzing the three material discriminations of Yan Shu’s poem in Liu Ban ‘s "Zhongshan Poetry", Chao Wujiu’s “On Movements of the Dynasty” and Li Qingzhao’s “Theory of Ci”.