Comparative Analysis Of The Performing Version Of Mozart 12 Piano Sonata In F

Mozart, as one of the representative people of the Vienna classical school, his music has been deduced by more and more piano masters. Recording technologies make these music of the masters be able to be reproduced. This article demonstrates four of the representatives, including Friedrich Gulda, Alfred Brendel, Uchida Mitsuko and Andras Schiff. By introducing "Mozart piano sonata,12 in F", the personal characteristics of Mozart and the comparative analysis of the audio version, each palyer’s characteristics could be digged out. From different perspectives, different view and different levels of esthetics principles, this paper reveals the fundamental reasons of the differences in the styles of the four performers. At the same time, the diversity and the importance of the second creation could be discovered and references and inspiration can be provided for piano practice..Given that the current music performance esthetics principle about the audio version of the comparative study is still relatively few, by the comparative study of "Mozart piano sonata,12", this article analysize the explanation of the rationality and the basic reasons of the different styles by combining with the music aesthetic view, moreover, provides some reference value through the study of the second creation of piano performance.