The Research Of Anime Music In The Late 20th Century

As an integral part of animation film, music not only has a function of filling the background of the film and foiling atmosphere, but also shapes a 2Dor 3D art image’s character, and gives more sense of life art. A piece of perfect animation music can render with extraordinary effect, and sometimes, we even use music as a throughout the whole film of the spindle,while an animated film of artistic value is also must match a high level the score. At home and abroad, no doubt on a point that background music always makes the animation more exciting in a lot of perfect animation.In our country,animation film starts relatively late and be early in the creation, but has extremely high artistic attainments and achievements.In the middle of the 20th century,a group of extremely rich national characteristics of Chinese cartoon works in our country was born, from the first animated feature film "Da Nao Tian Gong" to the first Chinese ink painting animation "Little Tadpole Looking for Mom", and "Three Monks", "Nezha Nao Hai"and so on,these classical animation films must be with their classical music. After the founding of New China,these classic animation music witnessed the growth of professional animation music composer, one of the most representative is Yingju Wu and Fuzai Jin.Two composers’ many works of anime music embodies a concentrated reflection of the Chinese animation music general characteristics of the late 20th century in China, so the full text will make a concrete analysis through the works of the two masters, combining with the meaning of the music itself in animation,to explore the period of the most representative of a few big characteristics and historical value,which will make more musicians to focus on the animation music in this area, and make more people to know about Yingju Wu and Fuzai Jin.