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The Aesthetic Orientation Of The French Operas In The Baroque Period From The Armide

Posted on:2016-09-10Degree:MasterType:Thesis
Country:ChinaCandidate:C Y LuoFull Text:PDF
GTID:2295330470480065Subject:Art theory
Abstract/Summary:PDF Full Text Request
The Baroque French opera has developed its own characteristics, produce the greatest achievement is the opera to the prosperity in the Baroque period of the history of music creation, is closely related with people opera of this period of life, consistent with the public aesthetic tendency, full of national characteristics and national feelings of the opera works influenced people’s inner world, art creation has combined with the reality of the. From the perspective of the display form of art, the French opera has a rich emotion connotation and aesthetic value, whether it is in cooperation with the music and stage effect, its artistic expression can bring direct inner spiritual feelings. This paper through the Baroque French musician Lu’s Armide as an example, the art show specific analysis, the aesthetic orientation of the French opera dialysis of the Baroque period, and the French opera in the important significance of the Baroque period, and the positive reference for the development of modern opera plays. Armide as a baroque French opera classic, in its impact and influence, people’s aesthetic tendency has been greatly enhanced, in French opera of the Baroque period for the development of western music history has played a positive role in promoting, this kind of style to break through the traditional stand stable smooth pattern, willthe development of opera to a very high level, Baroque art level never reached the height ofthe French opera, social value and historical value is worthy of our in-depth thinking, it also brings enlightenment for the development of modern opera art.
Keywords/Search Tags:Baroque, Frenchopera, Lully, Armide, aesthetic, orientation, significance, effect
PDF Full Text Request
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