Amelia In Un Ballo In Maschera And One Of Her Aria

Un Ballo In Maschera is verdi in one of the representative works of the mature stage, its intricate plot, has the strong drama and conflicts, and the whole opera at the heart of the conflict, is the first actress amelia. She is tender, intellectual, but do not lose courage and sense of responsibility. Her my tactfully and fine and smooth, full of difficulty, the singer singing demand is higher, and more pay attention to the singer’s inner understanding of songs. This article will with the author in the concert, hands-on experience as amelia this character and thoughts as the breakthrough point, from the following three aspects of the topics discussed.First, through access to information, and for different versions of opera performances of view to analyze the character traits of the characters, after repeated rehearsal of the drama to coordinate body, songs, music, three aspects of the coordination. The final presentation of the characters.Second, according to amelia in the opera the third act, the first part of the aria Morro, ma prima in grazia to handle the details of the in-depth analysis of the singing and emotions.Third, from the perspective of the concert practice to talk about the field of opera characters, through the experience and experience plays the character, the writer want to do a topic for future vocal music learners reference.