Spirit Of Oil Painting Of The Implicit Criticism Research

American scholar Susan lundgren said: "art is the expression of human emotions. All art is to highlight the performance of human emotions, perception, and the creation of symbol is, let us use the senses to feel we thought and it’s all the human emotion. " The same is true in the oil painting creation, whether the traditional painting and new generation painting embodies itself, teacher’s emotion. But, in the traditional painting, main body(painting) is always in a "god almighty" perspective to grasp the atmosphere of images and the overall image, so that the images form the atmosphere of a dominant. In oil painting creation in the new period, and painters are the significant effect on the image gradually retreat, formed a kind of "absent" feeling, expressed on loss of humanity spirit in real industrial society question and criticize, and this is the hidden oil painting creation spirit. And this paper mainly study of oil painting of the implicit spirit, for new development direction in the oil painting creation in the system.The main points of this paper are as following: the new period of the oil painting creation in the influence of foreign art thoughts, the spiritual pursuit of individual oil painting, and the expression of the implicit spirit.. This way of expression is the main body of the "absent", the visual image of the significance of the manifestation of the way, pay attention to the reality of the criticism and self questioning. Therefore, the research content of this paper is: the first chapter expounds the returning of humanity painting creation in the new period, including two sections, the first section expounds the reason for creation of new period human painting regression, second sections of human painting creation of new period regression performance(including the "divine spirit" to "human spirit", the general public a painting hidden theme); the second chapter describes the creation of oil painting in the "recessive spirit" forms, including three sections, "absent", meaning the main visual image resolution and "image" of the fuzzy and uncertainty; the third chapter describes the oil painting "the recessive spirit" critical means, including two sections, namely on the question of realistic criticism, self subject or group; the fourth chapter describes the creation of oil painting and the aesthetic experience of me, including the combination of emotion and spirit of metaphor and schema painting performance of the two part.