Wang Xizhi And Ouyangxun Compared With Calligraphy

In Weijin metaphysics prevailing under the background and early tang attaches great importance to the testimonies of the specification, tending to Wei Jin calligraphy calligraphy performance sofe with tang dynasty calligraphy thin masculine. As the representative figure of the Jin Tang dynasties calligraphy, Wangxizhi create natural flowing stream the wind book, rigorous running-penmanship melts former people towards the correct method of the road。The Wei and Jin dynasty is the ancient calligraphy esthetics established mature period, it is a peak period of the development of a prosperous, the Jin dynasty people calligraphy reached with gentleness and beauty and natural model of form, Wangxizhi whether in theory or in practice, is the typical representative. And the tang dynasty is the second highest peak in the development of ancient calligraphy esthetics,running-penmanship melts former people’s early advocate masculinity, promoting testimonies of form, imagery, improve the aesthetic status of the outstanding representatives. Whether Wangxizhi flow wind beauty or running-penmanship melts former people’s law of the state, are all show the way of Chinese Confucianism and metaphysics philosophy, for the calligraphy art has set admire immortal monument in one thousand, became the model of learning.