Research China Watercolor Flower Painting In Twentieth Century Sincethe Eighty’s

Watercolor painting from the Qing Dynasty as the foreign painting was introduced to China, after one hundred years of continuous exploration and research after the painter, gradually formed a variety of styles of painting. Painting is a painting watercolor painting, watercolor flowers with a unique artistic charm, whi ch can be used to highlight the character of works of flowers, and so as to metaphor, metaphor, metaphor of society, the creation of space is very large. From the early days of the Li Tiefu, Li Youhang, Li Yongsen, Xiao Shufang, to the last century eight, ninety time Wang Zhaomin, Shang Yuan, Chen Xiue, Fu Zhang Xi aogang, Wang Yong and other artists, to the new century Li Xiaocheng, Ren Hui, Xu Jiang et al. Is a typica l representative of each period. They diligently in watercolor flower painting, watercolor art of passion and China traditional painting thoughts into his own works, created a large number of outstanding works.Research on the creation of watercolor paintings of flowers Chinese, this is in accordance with the tim e node is divided into chapters. This paper is divided into four chapters: the first chapter, the research on th e creation of watercolor painting in the early China. The writing style in this period is mainly based on the t raditional Western watercolor painting on the expressive is the traditional Western painting techniques. The second chapter conducts the research to the eighty’s of the twentieth Century Chinese watercolor paintings of flowers. This period is a transitional period from the traditional to the modern, is a new starting point of Chinese modern watercolor painting development. Artists are on the basis of previous painting on the achie vements of the courage to express self personality, into his painting thought in his works. The third chapter conducts the research to the Chinese watercolor painting exhibition in twentieth Century ninety, the prevale nce of painters to cater to the demand of the exhibition, the visual effect of innovation of media, materials a nd techniques to enrich the work, as well as the watercolor painting form sense, not a single style of paintin g, realism, abstract, the freehand brushwork in traditional Chinese painting, decorative style the form of pai nting. The fourth chapter, since twenty-first Century China watercolor painting research. During this period, various art forms and collide with each other, make contemporary watercolor paintings of flowers showin g a trend of diversification, colorful. This period of the artist in the further innovations in materials and tech niques at the same time, pay more attention to the expression of ideas in the work, the pursuit of image in p ainting. In the last part of the paper is the content of this paper are summarized.Through the study of the above chapters, the author thinks that, only in different stages of developmen t Chinese watercolor painter’s creation intention, painting techniques, in-depth exploration of media materia ls, can be from the "two aspects" and "God" and understand their artistic essence, to inherit the predecessor s based on innovation, integration of new elements of the painting create a watercolor paintings of flowers, a new future. Only for watercolor flower art with "China" label, produced with the traditional Chinese cultu ral elements of watercolor paintings of flowers, in order to China will develop, be accepted and recognized by the international art world.