Theory Of The Self Expression Of Contemporary Chinese Female Art In The 1990s

In the process of the development of Chinese art history, women with women the situation and status of art in society, as has always been in a state of absence of aphasia, in society has not the right to speak. While in the course of history, there are some female artists, they also have their own sound, but this sound particularly weak, merely relying crooning behind men. Until the 1990s, starting with eight young women artists exhibition, female Chinese art has become a new topic of post-modern art, female artists increasingly frequent activities. They began thinking through their own experience with a variety of ways to express themselves, to tell their perspective and from the perspective of women’s voices, and constantly seeking their value in self-expression, the Chinese women’s art from the beginning of this period the real rise, and stand as an independent discourse in art arena.This article is intended to express themselves in the 1990s Chinese contemporary art in the main line of women, the way of self-expression and artistic works by analyzing the qualities possessed by women artists of this period, in order to further illustrate the uniqueness and necessity of the existence of women’s art. This paper is divided into four parts:The first part briefly describes the historical development of Chinese modern women art. From the rise of female school sports can justifiably provide opportunities for women to begin to learn to paint, to the "art of political revolution service", "men and women are the same," the social thought, which created "masculine" characteristics of Women in the Arts, respectively interpretation Women in the Arts of the Chinese Enlightenment period and after the founding period. The second part analyzes the reasons for the rise of Chinese women’s art, it is mainly affected by changes in the Western feminism and Chinese female artist’s own thinking, and promote the Chinese women’s self-consciousness awakening in the 1990s to promote the art of Chinese women rapid development. Then combine artwork 90s female artists, focuses on research expressions female art discourse in this period, one is to analyze the expression of female artists, due to gender differences, women expressed differently than men, regardless of Materials based on traditional women as mediums of choice, or symbolic, metaphorical way to his body as a symbol, the media, or to intuition, emotional expression means to convey their emotions, have highlighted a strong female character. The other is from the female self-expression was analyzed in the emotional factors, explains them in artistic creation, is that they tend to highlight the concerns of life and thinking consciousness, daily life, the fate of women, which convey the real woman’s heart world. The third part describes the development trend of Chinese women art, as well as some thoughts on the art of Chinese women did.This paper attempts to approach and emotional factors nineties female artistic creation, seeking commonness and individuality among female artists, in order to sort out the development of Chinese women and the concept of presenting art and expression 1990s, Chinese women from wondering Art the development trend and Reflection on Chinese women’s artistic development.