About The Impact Of Impressionist On Chinese Freehand Brushwork In Traditional Chinese Painting Landscape Research

Impressionism people experience the elements in the representation of the concept of pure visual components were open, the color is broken down into solid color point, increasingly close analysis of Optometry. Many color points off each other mutual backwash, enhance the color value. Painters depict realistic perspective for natural space law was very thorough study, for a variety of changes in natural light also behave more and more sophisticated. Impressionism because of the natural light to pursue the development of color analysis, so that the color has become the protagonist of the painting. Since then, as people gradually neglected sense of detail and texture of objects, spatial sense depictions sense of weight, realistic painting gradually lost its mainstream. As early as the Renaissance, the studio master apprentice to teach skills that light and dark painting skills. Body retreated secondary position, it can be seen from here, not painters pure form of expression no longer pay attention, but more attention to the expression of inner feelings, to express their own subjective feelings. The purpose is to explore the Impressionists absolutely true representation of natural light and color, the result being that classical realism began to decline, from classical to modern impressionist become intermediate links.Incoming Chinese painting, Chinese local culture combine to form a unique style of art forms. Painting is the most traditional form of painting in Chinese art, focusing on painting emotional expression, so the Chinese words with freehand painting taste, they come out ahead. In this thesis is the impact on Chinese Painting Impressionist landscape, discussed in detail from the pen, color and so on.