The Variation Of The Aesthetics And Politics-The Study Of Yao Pengzi’s Literature

A Literature leftist writer, a symbolist poet, a defected traitors, a backbone of China National Art anti Association: these seemingly contradictory titles were embodied in Yao Pengzi. His legendary life has created a changeful style for him. He has frustrated youth malaise, and carried the hypocrisy of the petty bourgeoisie numbness as well as the revolutionary fighting spirit, which reflected in the text was a symbol of decadent poems, modern urban fictions, underlying class writing and essay of the war of resistance against Japan, etc. At the same time in his whole creation course, his literary style went through many changes mixed with aesthetic and political characteristics. The changeful style, which is called the "chameleon" literature behavior in this paper, i.e. writers who are immature or without concentration like to chase the tide and fashion. The study of this phenomenon and its pros and cons is valuable for literary reflection and pertinence.This article is divided into three chapters: the first chapter mainly analyzes the three periods of the three shifts on his poetry style, from decadent aestheticism to revolution against political struggle. The second chapter mainly studies his novel on modern city and left-wing politics, which embodies his usual aesthetic view Influenced by the left-wing political culture, his novels on left-wing politics merge the two styles of writing in one text, which reflect him good at learning and the characteristics of literary "generalists"; The third chapter focuses on analyzing the subject and content of Yao Pengzi’s essays during the Anti-Japanese War, which involves two parts generally. The first part concentrates on the literary aesthetic consciousness, and the second part is mainly the pursuit of popularization of literary style instead of the pursuit of aesthetic art and fun.