Research On Flower And Bird Painting Of Shen Xilan

Mr. Shen Xilan specializes in calligraphy and painting, is in Xinjiang and China have a certain influence on the artist. "Mr. Shen is an old western artist, rarely go out to participate in activities, always at home in obscurity very hard to draw. He is good at calligraphy, painting, back in the early eighties Shin is already a leader in Urumqi area. At that time Shin is the Urumqi Municipal CPPCC Standing Committee, Chairman and Secretary General Calligraphy, Painting, executive vice president, in terms of Xinjiang painting is to contribute. " Xinjiang Artists Association Chairman Deng Weidong said.Shin’s teacher is Mr. Li Kuchan, Mr. Li Kuchan be some impact on the painting. In style as the standard, Shin painting career can be divided into inherited a strong tradition of early and late style. Shin early paintings mainly influenced by Mr. Li Kuchan and Chinese traditional painting, works with a simple classical style; the late paintings can be concluded that Shin’s individual consciousness awakening, his own personality into the painting in distinct characteristics. In the latter part of the painting, Shin pen concise, to the performance of highly abstract images refined personality bold use of color, the color purity is very high. A high degree of distortion and exaggeration is the traditional big bird freehand comparison inject fresh blood, Shin traditional solid foundation deep roots abstract works are still deeply rooted in the soil of Chinese traditional culture among. Shin lifetime career in painting, the external form of their works regardless of how changes in the degree of heavy ink of his work is always, works deep and inky pen has long been a strong sign of Shin painting, calligraphy and painting Shin well together, so that calligraphy and painting each other, so in order to book a painting is another characteristic Shin painting.The first part of the paper is the introduction, the first major paper deals with a topic basis, and secondly to explain the purpose and significance of this paper as well as painting the background Shin and Shin personal artistic experience, and finally elaborated is this thesis and the lack of innovation; the second part of the paper from the longitudinal axis of the time to explain the history and Shin apprenticed painting style changes; third part is different factors on Shin Painting effects, mainly from personal experience, studying the relationship between the impact of painting calligraphy, traditional geographical and cultural understanding and to study these aspects; The fourth part of the constituent elements of Shin bird analyzed, combined with the composition, ink, theme works, paintings and India, innovation in these five areas to study and analyze the characteristics of Shin bird art. The fifth part of the analysis from the artistic features of Shin nature of their artistic creation; Part VI deals with a Shin pursuit of artistic ideas. The last part of the paper is the conclusion.