In The Late Yuan Dynasty Hermit Calligraphy Research

Recluse culture is an important part of Chinese traditional culture, hermits who are down to form under the influence of that kind of carefree life, natural and unrestrained attitude towards life, indifferent to fame and wealth, often pose not group of noble personality, dare to rebel, emphasize the artistic spirit of individual character, unique aesthetic style of calligraphy, aesthetic realm, the formation of the aesthetic ideal has important and profound influence, have created another full of poetic and elegant calligraphy culture of replete. The yuan dynasty is the height of the hermit culture, many scholars in the late yuan dynasty calligrapher are associated with the life of reclusion, they lived in the heart of the "reclusion", use it to produce behavior, attitude, thought, has a unique and profound influence of the Chinese calligraphy formation has higher aesthetic pursuit and spiritual books wind reclusion, also formed a group are different from the traditional pulse shoka hermit calligrapher. The academic study of hermit culture emerge in endlessly, but this article from the perspective of the relationship between culture and calligraphy, reclusion in the late yuan dynasty hermit calligraphy as the research background, selected the Yang Weizhen, NiZan, wu zhen, etc several representative hermits shoka, combined with their representative works, life experience, calligraphy thought, find the unique style of calligraphy of reclusion shoka’tropism, the art spirit and their appearances to deep rich cultural connotation.