| This thesis which tries to use abstract methodology not just concrete studies the nature of Guangfulin remains based on analyzing the most basic material culture such as pottery and stone tools.This thesis first introduces the Guangfulin remains, which is mainly found in the sites of Songjiang sites, in addition to some areas else in Jiangsu, Zhejiang and Shanghai such as Qianshanyang site in Huzhou, Xiaodongmen site in Ningbo, Luotuodun site in Yixing, Choudun site in Kunshan, Beiluodun site in Changshu and so on. All in all, The distribution of Guangfulin remains is mainly concentrated in South-east coast of Taihu Lake as well as Qianjiahu plain areas, On this basis, the thesis looks back the previous research, then puts forward the starting point and ideas of this thesis.Chapter1is the installments of Guangfulin remains. The meaning of Guangfulin remains is redefined that Guangfulin third stage remains is continuation and development of Qianshanyang first stage culture while they are separated in the past. Guangfulin remains can be divided into two period, and the later period can be also divided into two section.Chapter2is the study on material culture of Guangfulin remains. As everyone knows, the main cultural factors and the most representative cultural factors played a decisive role in the nature of the cultural relics. The chapter tries to grasp the most fundamental factors by analyzing the most representative artifacts in Guangfulin remains such as tank, beans, urns, pots, bowls and other cultural factors as a supplement. From these studies we can conclude that Guangfulin remains is very much affected by Liangzhu culture during the previous period while foreign culture factors such as the type of Wangyoufang culture make little sense. However, That Liangzhu culture is reduced by the continuous impact of foreign culture during the period of Guangfulin leads to gradual integration of cultural factors and a representative tripod. As a result, the pottery of Guangfulin remains mainly contain four cultural factors: Wangyoufang factors, Southern Stamped Pottery factors, local traditional Liangzhu cultural factors and itself factors. Among them, Southern Stamped Pottery and itself factors are the main factors which followed by the Liangzhu cultural factors and Wangyoufang factors. The beans of the Guangfulin remains is the result of intervention by foreign cultural factors. Some shapes of the relics are a far-reaching impact by Wangyoufang type while others are affected by Wangwan third period culture which based on Longshan Culture in Central Plains. The Neolithic-based production tools tradition of Liangzhu Culture, in the case of a variety of cultures,it come irito"being unique artifacts. The third " the nature of Guangfulin remains". This paper argues that there are two issues directly related to the nature of Guangfulin remains,first is about the understanding of late Liangzhu Cultural remains,the second is about the exchange, dissemination and channel of late Neolithic cultural. Based on existing material above analysis, we consider that there are five cultural factors in Guangfulin remains, type of Wangyou Fang factors, cultural factors of southern Stamped Pottery, the third Wang wan culture-based Central Plains Longshan cultural factors, Liangzhu culture and traditional local cultural factors, factors of their own culture. In Qianshanyang,mainly local culture, the remains of Liangzhu Culture plays an important role when foreign culture plays a relatively weak role, with the evolution of civilization process, to the Guangfulin,the foreign culture has played a leading role in Guangfulin remains, the Liangzhu culture remains Guangfulin relative decline, there is a clear intensification of the process of invasion of foreign culture, the main role is Wangyou Fang type of culture,southern Stamped Pottery and the third Wang Wan cultural influence is relatively weak, but the affect of two cultures to Guangfulin remains the gradual strengthening of the trend. And Guangfulin remains still appear to be relatively thin, and not suitable named "Guangfulin culture". |