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The Power Of Plane

Posted on:2016-02-13Degree:MasterType:Thesis
Country:ChinaCandidate:L Y QieFull Text:PDF
GTID:2285330467497700Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Painting as a painting, from the date of birth in art history would have a pivotalposition. Chinese painting in its one hundred years of history, has experienced conflictWesternization and nationalization began to become more rational and diversified.Under the Chinese produce new figurative painting exchanges in the world of artthinking converged environment, the artists after a modern, post-modern art baptism,to return to figurative, the traditional re-discovery: the fusion of abstract elementswith modern constitution in figurative painting elements, from the depths of thetraditional core of view, which reveals an art form of contemporary human life andmental state. Therefore, the new figurative painting not and can not continue to usethe expression of the traditional form of figurative language, but as the plane of thelanguage of modern Western painting characterized by one of China’s new figurativepainting to develop a new form of expression, a new figurative painting in the artform of expression A new attempt. This exploration is not only innovative forms oflanguage, but also works of art focused on the expression of the artist’s feelings, forthe pursuit of new canvas like a spiritual phase intersection. Meanwhile, the plane oflanguage and traditional Chinese art has coincided meeting point, easy to resonatewith the audience aesthetic, psychological aesthetics have been accepted by the public,and promote the nationalization process of Chinese painting. Thus, the new figurativepainting in the plane of the language we have created a world of both nationalcharacteristics influence artworks lit a guide the direction of the light, and graduallysoak into the viewer’s aesthetic inclinations. This paper mainly through new figurative painting in China flattened languageanalysis, and then get a new plane of figurative language is Chinese painting broughtartistic charm. First, from the western modern art and traditional Chinese artlongitudinal comparison, analysis of new figurative painting in the plane of thelanguage of the historical context, Youyi aesthetic orientation era horizontal analysis,to understand in today’s schema developed society, new figurative painting inplanarization language conform to society, by analyzing these aspects, carding factorsto the development of the plane of language. Ideological roots of culture and then thedepth of excavation plane of language, the language of contemporary China to theplane as the main language of performance artists, from artistic and spiritual aspectsof the analysis of the language of the charm lies flat, flat display contemporary andexpressive language.The value of art is to create and find new figurative painting Chinese language isflat to explore the development of Chinese contemporary oil paintings of the road, isthe concept of art, art form, artistic spirit of innovation. It can become a betterpainter’s spiritual, and even provide a theoretical basis for the national spirit oftradition, is to explore new figurative painting nationalization China to find abreakthrough point, the Chinese new figurative painting has grown under the directionof the plane of language.
Keywords/Search Tags:Chinese new figurative painting, flat language, artistic charm
PDF Full Text Request
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