In the course of development in the long China painting, flower and birdpainting artistic aesthetic feeling with literary, artistic ascension, ascension has beendiscovered. The Song Dynasty is the originator of the literati painting, and literatiflower and bird painting a peak. The Song Dynasty’s poetry aesthetic, NeoConfucianism thought has a great impact on the literati painting of flowers and birds,cause the change of aesthetic taste, nature also changed people’s aesthetic concept. Inunder the influence of Neo Confucianism, afford much food for thought aestheticconnotation of literati painting, has profound influence on the later development offlower and bird painting. Therefore, study "aesthetic" literati paintings of flowersand birds as the theme, is very important for the development and prosperity ofcontemporary flower and bird painting significance. Attempted to explain the literatipainting from the perspective of sociology, from the angle of culture to explore theliterati painting history and cultural value. This paper is divided into five parts.The first chapter of the development of art history from the Song dynastyliterati painting of flowers and birds are outlined. The specific interpretation of theliterati painting definition, and describes the development of the literati painting offlowers and birds, to lay the foundation for the following discussion.The second chapter analyzes the main source of the Song dynasty literatipainting aesthetic implication. Aesthetic connotation of literati painting of flowersand birds are mainly derived from the poetry aesthetics and science. The SongDynasty poetry obtained rapid development, mainly from the early Northern SongDynasty poetry is rich and fresh, the late Northern Song Dynasty poetry art and bold,the Southern Song Dynasty poetry and stirring and Euphemism in three aspects ofpoetry of the Song dynasty literati painting and the relationship between. The SongDynasty, neo-Confucianism became mainstream thinking, literati deeply affected,natural into the flower and bird painting creation, mainly from the two aspects ofsong Chuli science theory, the late Science Spirit Song Qi consciousness analysis, the origin of the literati painting unique aesthetic connotation.The third chapter explains the aesthetic implication of the literati paintings offlowers and birds. This chapter is the focus of this paper, mainly from the Zenthought and "meaning" embodied beauty, ethereal simplicity Qiyun beauty, literaticulture and the beauty of nature in three aspects of the Song dynasty literati paintingaesthetic implication, and examples of famous literati painter and works to illustrate.The fourth chapter discusses the aesthetic implication of the literati flower andbird painting on contemporary flower and bird painting creation enlightenment. TheSong dynasty literati painting a profound influence on the later generations, MotoAkisetsu from the Song Dynasty civilization flower and bird painting in yuan, Mingand Qing, the Republic of China, the contemporary influence of contemporaryflower and bird painting, analysis of present situation, based on the study of songculture enlightenment of aesthetic implication of flower and bird painting oncontemporary flower and bird painting.The fifth chapter studies the song dynasty literati flower-and-bird paintings inaddition to understand its aesthetic implication, more important is to learn and drawlessons from, as used by modern and contemporary Chinese paintings, so as topromote the innovation and development of modern and contemporary Chinesepaintings. |