| Summary of the Northern Song Dynasty, paintings rapid development has left us many valuable works of art and far-reaching impact on future generations of painting theory. In the Song Dynasty, on the establishment of the Imperial Court picture, wide strokes celebrities, large-scale, comprehensive system. Huizong Zhao Ji to cultivate a highly skilled artist academy, the establishment of Painting in chongning three years to test the recruitment of love in the form of painting to the National insight to enrich the power of the Royal Art Academy. Court body painting mostly provided by the ruler of painting style, dominated painting academy's painting style. Huang Quan and his sons then works with its magnificent bird, beautiful rare, exquisite and delicate style to meet the royal rich, brilliant aesthetic, has been widely sought after, and get reused. At the same time, other than in the Art Institute, and the other with its differentiated form in painting Painting is growing rapidly, this is the "literati painting style." "Literati Painting" The emergence of this form is to bloom at that time made the court of body painting, and the emergence of genre painting, drawing and painting of the later theories are far-reaching impact. Song literati throughout the Chongwen restraining force, the social trend of party and government under the influence of frequent, naturally the "poetry and painting" as "an exception" in important ways, in official circles and certainly not long-term stable development the only "alone" turned to other areas to development, in order to divert the attention, comfort themselves, express their emotions. They stressed in their own paintings in the artist himself should be able to reflect the character, knowledge and talents so element. The literati painters painting subjects of choice for the flowers and landscape paintings, in which Merlin the bamboo flowers, landscape trees and rocks and other object-based, the pursuit of performance artist's subjective taste to these natural images to describe his perseverance, resilient high character, to ink painting in the T situation to express interest in his state of mind, their subjective feelings of stress, not in favor of academy painters implemented by the realistic style, are not limited to shape, to promote a light ink Lan, plain fresh ink Xiao Shu's art style. Form in the performance of more than a "Carefree pen hastily", "not to shape", "ink and wash" approach, in order to obtain work is different from the "realism" of natural conception and the art of ink through the "dry bias" shown by the a kind of self-moving power. On the surface, these two paintings in seemingly divergent dominant ideology, in fact, in the Northern Song Dynasty and Yuan literati painting body painting is not completely excluded, their paintings, many pavilions between claims that to two kinds of aesthetic View also the mutual infiltration and influence, it represents an era with the aesthetic ideals and aesthetics. Guo Xi's painting and the painting of the Theory of the Song Dynasty body painting is an important development stage for the development of literati painting after a certain foundation. Two different aesthetics of this period in the Northern Song mutual promotion and common development and common progress. |
