The Study Of The Reference Of Traditional Elements To Chinese Oil Painting

Since the oil painting was introduced into China, after more than hundred years ofdevelopment, integration of traditional Chinese painting, and continuous explorationand transformation. In the theme content, aesthetic expression, etc., with distinctivenational features, gradually formed a unique Chinese oil painting.In this paper, which can be roughly divided into four parts. Firstly introduces thedevelopment of Chinese traditional painting, type and characteristics, as well as thewestern oil painting in China’s development in one hundred are reviewed, andintroduce the Chinese oil painting in stages from the traditional Chinese painting. Thesecond part respectively from the composition, pen and ink lines, color applicationand the performance of the artistic conception analyses the concrete form of thereference, and a simple example. The third part is from Wu GuanZhong, Xu BeiHong,several deputy Deng XiWen extremely representative works, this article detaileddiscusses the works of Chinese paintings from the forms and methods of and thepresent situation to the traditional Chinese painting in the oil painting creation of ourcountry and the results are analyzed. The fourth part expounds the realisticsignificance to the traditional Chinese painting of the oil paintings, this reference isnot only the inevitable requirement of carrying forward the traditional Chinesepainting art, also is the necessary way of rich cultural connotation of Chinese oilpainting, not only conforms to the aesthetic needs of the national aestheticconsciousness, and is to improve the basic requirement of the national cultural softpower.Through analysis, this paper put forward the reference and absorption of thetraditional Chinese painting, Chinese oil painting not only confined to the applicationof line, color composition, ink surface form, more need to give full play to thecharacteristics of oil painting, on the basis of absorbing the excellent traditionalculture of China, into the national spirit of the Chinese nation, combining the featureof social era, the traditional Chinese painting in the art spirit and the organiccombination of western oil painting, aesthetic standard, thereby creating more accordwith Chinese audience more artistic appeal of Chinese oil painting.