| The formation and evolution of characters have led calligraphy and painting from practicality to artistry.The appearance of hieroglyphics in calligraphy is bound to be pictorial,with the characteristics of describing the specific image of objects and corresponding objects.The two are integrated in the text resources,and calligraphy has many influences on painting,which are divided into two levels,the spiritual level and the technical level.On the technical level,there is the connotation of "writing".On the spiritual level of painting,we often refer to the word "freehand brushwork",which is called "writing".As we all know,oil painting is an exotic product,which originated in Europe and belongs to the world and international painting language.Oil painting was introduced into China in the Ming and Qing dynasties.With the extremely strong local culture and the characteristics of assimilation of foreign culture,this exotic product is bound to become an endogenous cultural product with local characteristics in this all-encompassing cultural country.Under the influence of such a country,oil painting must have its national localization characteristics,and the emergence of image oil painting is the nationalization and localization of oil painting.This paper analyzes the language of Chinese image oil painting from the perspective of "writing" in Chinese painting and calligraphy,providing more possibilities for artists to explore the localization of oil painting.This article will explain from five parts.First,the first part will sort out the general situation and performance of "writing" in Chinese calligraphy and painting,and will also carry out in-depth analysis and thinking on the meaning of "painting with calligraphy,painting with homology";In the second part of the article,it mainly studies the specific situation of image oil painting in the local contemporary context of China and its future development;The third part of this article mainly illustrates the development and innovation of contemporary Chinese image oil painting under the influence of the "writing" of Chinese painting and calligraphy.Here,we analyze the painting language expression of artist Wu Guanzhong and artist Dai Shihe with examples.The fourth part of this article is a new breakthrough in writing,taking Xu Bing’s writing as an example.Finally,it is an attempt to diversify personal painting language.This article will combine the current situation of oil painting in China,discuss and practice the writing of oil painting localization from the perspective of the writing of oil painting.The writing of oil painting is not written for the purpose of writing,but for the spirit of the artist’s meaning.It is the writing with the unique spiritual core of Chinese current artists and Chinese traditional culture. |
