| Living in the Inner Mongolia region of the Mongolian and the "three people" national,because of the similar lifestyles, contributed to their blend with each other in culture and art development. In Inner Mongolia minority leather art rooted in hunting, animal husbandry economy, due to long-term domesticated animals and attached to the way of life, provides the convenience for their production and living supplies of raw materials, leather materials based on convenience and the characteristics of the material of durable, easy to carry, make leather minority indispensable items, they are nomadic, hunting, the important symbol of life, is to live in Mongolia plateau and the generation of the north mountain nation collective wisdom crystallization, left behind the precious national wealth for later generations. With the development and progress of the times, leather art unique aesthetic value and social practical value to become a form of art and culture of nationality. This paper discussed the main content is the northern nomadic nation relies for survival and hunting of the artistic features of leather products.Through the network, government documents, local Chronicles, archives and field survey data, as well as the Inner Mongolia region of leather goods, on the basis of image information, this paper summarized in Inner Mongolia minority leather art history, classification and aesthetic characteristics, on this basis, from the selection of raw materials, color, structure, pattern and process as the starting point, the Mongols in Inner Mongolia region and the artistic features of the "three people" national leather products are analyzed and compared, and the Inner Mongolia region minority leather art development was prospected. This research not only to distinguish between the Mongolian and the "three little" on the national leather products in artistic differences, but also for the continuation of Inner Mongolia minority excellent traditional art and culture is particularly important. |
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