The Brushwork Of Oil Painting In The Form Of

Art is innovation, and one of the essential means of the development of artists is innovation. It is true that innovation is faced with risk and contingency, to innovation to put their own personal field at risk, the pursuit of unique and innovative, explore personalized expression. The purpose of this paper, the author want to through my postgraduate studies, related questions of form study in oil painting brush. Get rid of the type of "type" in the oil painting, and emphasize the more extensive "form" of the instinctive need, it is the manifestation of the individual, not the superposition of experience and law.Talk about strokes form, the first thing to talk about is the inevitable result of strokes, it is one of the basic elements of the language of oil paintings. Any a painters started painting began painting, regardless of harmonicity pigment tool is what appearance, operation on the canvas trajectory will leave principles, rules or is tangible and intangible traces. Artists with heart fibrillation, authoring tool stained with paint on the canvas walk to stop, whether it’s sitting on a where have to screen field environment, the author’s own inner feelings, all this are the work before one by one interpretation, and this includes the each artists of different logical thinking.That determines the hands of the artists brush walk stop, size, speed, different painting form the brush shape and each artist’s heart and what kind of relationship, their values and the inner feelings of whether there is a link, and these are the focus of this paper. Also, the West’s "shape" and the "form" is how to contact; this kind of relationship, for the future of oil painting to what kind of role, will be an important part of this paper discusses and analyzes the.In this paper, the author used four chapters. The first chapter is the introduction, which mainly shows the author’s problem, content and innovation.. In the second chapter, from the point of view of art history, Study the changing process of Western oil painting development, from traces the history of the western oil painting brush shape were analyzed. The Renaissance- recessive strokes; Baroque to romantic period- dominant strokes; impressionism- character strokes; Expressionism to abstractionism, ecstasy strokes, discussed one by one.Chapter three is mainly the description of Chinese contemporary oil painting brush shape status, starting from the nationalization of oil painting, then talked about the nationalization of oil painting brush shape, and then analyze the nationalization of oil painting brush shape status, for fusion of misunderstanding finally talk about in China such as he Chuancheng and develop oil painting brush shape.Chapter four is according to the realistic oil paintings were compared using, respectively from the shape of the strokes in the creation of value orientation; creation of stroke shape behavior value; stroke shape on the screen is specific how to present; from the function of stroke shape function; finally stroke shape of form and meaning.I set out from the practice of oil painting, combining examples pictures, Analysis of the development of oil painting form changes from the historical angle of aesthetics, discusses between the internal and external works of graphic relations. From the artist’s point of view, the paper tries to find the oil painting brush shape, character of humanity spirit of internal and external changes, as far as it can bring room for improvement for the future creation.