The Fusion Of Sino-west Cultural Elements And The Structure Of Subjective Thinking Of Ang Lee’s Movies

Ang Lee, a Chinese director who made his name in the Occident. He’s a man who is a gentle, learned and refined but moderator, and he also could appropriately integrate the western elements into the oriental culture. Lee is not only a world-spotlighted director, but also a passer of Sino-west culture in the economy globalization times. Three degrees hold Oscar best director award, his success has the unique nature of the non replication. Can shuttle between eastern and Western culture, and does not satisfy the characterization, people have to keep on learning new rheological and comprehend ability in the films of Ang Lee reflected across cultural boundaries and constantly thinking of innovation and entrepreneurial spirit is worth Chinese film of every electric filmmakers study thinking and learning model.Unique perspective in this paper, based on the cultural fusion, using methods of literature survey and outline method was studied, with director Ang Lee’s growth experience as the starting point, grasp the skillful use of Ang Lee’s movies of the oriental culture presents unique and Western techniques, in the continuous changes in the process of innovation, Ang Lee has awakened people to think deeply about what issues to explore.Ang Lee’s film is the main body of the paper, and he fusion of Chinese culture and Western culture image style is generally accepted, director Ang Lee was born in China, acceptance is western education, and Chinese Confucianism and Taoism in the film also has a refractive index. His recent works have been different from the simple storytelling, but rose to the philosophical level, which is probably the core part of the Ang Lee film thinking, that is, the main body of thinking. So the title of this article is to point to the, fusion of Chinese culture and Western culture and subjective thinking constitutes the two although juxtaposed, but considering to the consequence relations, the author tries to from the fusion of Chinese culture and Western culture image style exploration of Ang Lee’s film subject thinking.This paper is based on the proposing, analysing, and solving the problem of the logic of the development. The first chapter is a part of the problem, the cause of Ang Lee film style, mainly from the growth environment and the external cause of the study of the western learning two parts of the composition. In this section of the environment, the author intends to focus on the construction of the oriental culture consciousness, because of the birth of Ang Lee in Taiwan, from the geographical is a native of the Taiwan. And the Taiwan and the Oriental Culture in his film works have the corresponding embodiment. And this paper in the environment of the west section introduces his study experience and spanned the approach the author tries to draw drip western culture’s influence on him from the director Ang Lee’s school experience.The second chapter is the embodiment of the oriental culture element in the image, which is from the angle of the text.. Mainly rely on the first section of the first chapter, the internal growth environment for Ang Lee in the film creation and the impact of the creation. In this section of artistic conception, mainly in the film "Crouching Tiger" and "Brokeback Mountain" as an example, and in this section of the oriental culture, the theme of the movie, mainly to "Pushing Hands", “The Wedding Banquet”, ”Crouching Tiger” and " Lust, Caution " as an example.The third chapter is from the perspective of lens techniques, the use of Western imaging techniques. The first chapter is mainly based on the second section, Ang Lee’s western study and from the road and. The two sections of this chapter, the author in chronological order, at first, Ang Lee is only a copy of the classic Hollywood techniques, so become the first section. And when Lee handy, he can own a set of lens grammar presented beyond the traditional techniques, also is this chapter of the second section, the traditional techniques beyond.The fourth chapter is part of the solution to the problem, and innovation of my article, the constitution of the subjective thinking, explore the angle of Ang Lee’s inner world starting to in-depth study of Ang Lee’s film the subjective thinking. Because of the success of Ang Lee is the one and only, so for his evaluation is also mixed. This chapter analyzes Ang Lee’s success and the reference from the perspective of aesthetics, aesthetics and philosophy, from the point of view of criticizing Ang Lee.