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The Color Narrative Analysis Of Zhang Yimou’s Films

Posted on:2016-06-06Degree:MasterType:Thesis
Country:ChinaCandidate:G GongFull Text:PDF
GTID:2285330464950876Subject:Aesthetic Culture and Literature
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Movie as an integrated arts, with literature, dance, painting, etc., they are to complete their artistic functions by telling the story, have some narrative. Color is an important element in the art of film, the narration in the film, plays a vital role. Color in the film, giving the director’s subjective sense of working their specific color image, making it in the narrative process can be highly personalized and complete expression. As a representative of Chinese film, Zhang Yimou, Chinese film and the world’s most iconic film brings the influence is in its narrative process, to fully tap the color of the color of carefully laid, and the use of color symbolism, intuitive features, making it the color of the film, causing the audience a strong visual impact, increasing the film expressed in the narrative integrity and enhance the aesthetics of the film itself. In this paper, Zhang Yimou’s films as illustration, analyze its use of color, the color functionality of the narrative process, thus promoting the lens from the film, the narrative perspective and color choices, narrative discourse and color representation, the construction of narrative structure and color, etc., Analysis of Zhang Yimou how to color called to the film’s grand narrative plot Zhang match. On this basis, the excavation in both films, the color of the film narrative function of the role, and the film narrative and cultural connotation of color integration, cultural and Television moment, a new awareness perspective for the study of color aesthetic education and the creation of popular movie film director, to provide a path of aesthetic psychology research.
Keywords/Search Tags:color, narrative charm, Yimou’s films
PDF Full Text Request
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