The Change Of Sun Wukong China Animation Works In The Animation Image

With the change of the times, Sun Wukong animationimage changes constantly in the adaptation of "journey to the west" in animation works, its cultural connotation behind change. In this paper, the main research in animation works in the image of Sun Wukong on the image of Sun Wukong in different periods mainly represented by the connotation of adaptation in animation works, analysis of the causes of change, sort out the problems in animation works and puts forward some personal opinions and suggestions.This paper is divided into four parts, the first chapter is the focus of this paper, based on the "Princess Iron Fan" "havoc in heaven" "" "monkey" ginseng fruit here "Lotus Lantern" TV cartoon "journey to the west" and after 2000 the animation works in the image of Sun Wukong overview, and summed up the changes in the image of Sun Wukong China animation works in the law, the image of Sun Wukong works adapted from foreign characters, modeled on the "Disney" image has Chinese characteristics to return to Peking Opera mask image, with the changes of the times began to change the image of the people; in the cultural connotation, the connotation of the image of Sun Wukong has experienced a transformation from "God" to "people", in the later years of the image of Sun Wukong culture is gradually weakened. Put forward some views and opinions.The second chapter discusses the reasons affecting Sun Wukong animation image changes from three aspects of time, media and technology. Age factors, one is the social changes of the era, in the Anti Japanese war during the period after the liberation, the image of Sun Wukong in "Princess Iron Fan" "naotiangong" animation works have a very strong political color; after the reform and opening up, " "golden monkey" here in the image of Sun Wukong opened it from" God "to" people "regression; with the advent of the Internet era, Chinese animation ushered in new opportunities and challenges. Another is the change of people’s aesthetic concept, before the founding of new China, people’s aesthetic standards and the political combination, "Princess Iron Fan" is to promote the national unity of the Anti Japanese War; after the founding of new China to the reform and opening period, with the change of people’s aesthetic view of national politics and change work with the related political activities, reflects the political culture; after the reform and opening up 30 years, the Chinese people’s aesthetic ideas by politics began to shift to the other direction. The media factors, media carrier, provides a communication platform for animation works, with the emergence and development of film, television, computer, mobile phone and other carriers, animation has also changed. In terms of technology, computer animation and computer software of nonlinear editing system to reduce the number of animation in personnel, saves the time of rendering and animation; 3D animation technology to achieve the animation from the 2D to 3D stereo rendering.In the third chapter, the premise, some of the image of Sun Wukong summed up in the process of the changes of the lack of cultural connotation, innovation is weak, lack of imagination, ethnic problems; the fourth chapter is through the above problems, sort out the change of Sun Wukongxing like to present some inspiration China animation.