Theory Of "wei Han Notes Ring"

From the song began gradually to the difference between"han phonetics"and"wei".In late Ming dynasty陈祚明"mining glycine hall poems"in put forward"Meng Dequan is han,PI,many wei ring".Later were shen deqian in Chen was put forward based on"Meng Deshi Jude is han phonetics,pure by wei huan below ring."From now on"han","wei ring"say,begin to have a more clear definition of scope.The author thinks that the three cao and take seven poems creation,has become the installment of the poetry history and to explore the focus of the self-consciousness of literary evolution.About the literature of this period of change,the researchers used an image is summarized,namely"literature conscious",this is jun as one of the most basic proposition.This article from the meaning to breach"han phonetics"to"wei ring"three cao and take in the process of evolution of poetry changes and the period of the seventh,peulthai the phenomenon of"literature conscious".In this paper,the introduction part first to han wei ring"sounds made a analysis.The text is divided into five chapters.The first chapter "wei han notes ring formation and the definition of". This chapter first of calendar year for han wei ring "sounds a comb, current research situation on the basis of the author for han wei ring" sounds made a definition.The second chapter, "" wei han notes rang the age characteristics of the theory. The first section, "han wei ring" the era of transformation. Mainly elaborated the shift in the process of transformation of literary thought and creation of the era of change. In the second quarter, take seven textual research into his time. Examines respectively take seven scholars in his time. The third quarter, three cao and seven promises and his creative brief. This section mainly discusses three cao and take seven scholars make poetry creation and yecheng period.The third chapter "wei han notes ring" creation characteristic theory. Mainly from three aspects: to define the "han wei ring". Respectively from the perspective of musical division "han phonetics" and "wei", from the perspective of lyricism to differentiate "han phonetics" and "wei", from the poetry theme divided between "han phonetics" and "wei".The fourth chapter "wei han notes ring" features of literary theory. Mainly divided into three sections, the first section "wei han notes ring" theory of style. From the three cao and take seven style of poetry on the "han wei ring". "Wei han notes ring" in the second quarter’s theory of artistic features. From the artistic features of the three cao and take seven poems on the "han wei ring". Third section "wei han notes ring" theory of aesthetic characteristics. From the three cao and take seven poems on the aesthetic characteristics of the "han wei ring".The fifth chapter "wei han notes ring" view of "literature conscious". The first section, from the point of view of cao cao poetry "literature conscious". In the second quarter, from xelloss "Dian Lun · papers" at this time to explore the phenomenon of consciousness literature, in the third quarter from the perspective’s and poetry creation in the seventh, peulthai the consciousness literature phenomenon.