Ink Landscape Of Gong Xian Product And The Inspiration Of The Paintings To Me

Chinese landscape painting with particular emphasis on the use of brush and ink, pen and ink techniques is the history of the famous painter in the artistic practice, continuous exploration and innovation, the result of accumulation. The accumulated ink law is an important means of painting landscape painting. In this paper, to plot ink painting famous landscape master Gong Xian to carry on the analysis, through his plot ink techniques used to interpret his vigorous Green Run painting style, Gong Xian on the accumulated ink techniques unique research and application, in the dry brush layers of accumulated ink Dianran chapped rub, so that the screen Zhongshan stone heavy black and white on than strong, ink moisture, Gong Xian in the pen on the center pen with ink, strong, by the stem into the run to Dianran accumulation. With his own unique plot ink language of nature description, and has its own theory of painting, he pays more attention to the traditional teacher, imitating nature, the natural world scenery and their inner realm of combining, through complex lyrical expression buried deep inside ambition. Gong Xian late "black Gong" style of painting is the painting art of Gong Xian pole, his accumulated ink style influenced later many artists, through the research on Gong Xian’s painting, the painting theory and Practice on my understanding of the impact is very big, learned his "inheriting the tradition, learning from nature" and the use of pen and ink in his paintings. His heavy, cultural accomplishment, cultural accomplishment is our today’s painting is lacking, no deep cultural knowledge training, our paintings without meaning to speak of, just a craftsman in painting techniques, learning culture high is very important.We can have a long history of landscape culture. In the painting history, research on the accumulated ink language never cease, from the five generation of Dong Yuan, Ju ran to Mie fathers and sons in the Song Dynasty to the Ming and Qing Dynasties, and Gong Xian, and the modern Huang Binhong, Li Keran and so on the landscape of the accumulated ink language for a continuous exploration and innovation.