The Five Generation Of Calligraphy Transformati Onproblem Research

Yang Ningshi is the five generation of time most representative calligrapher, its artis tic achievements represent the highest level of the period of the art of calligraphy. Yang Ningshi calligraphy works are not many, but the style of the contrast, the emergence of this phenomenon and the five generation of social cultural ecological damage has a direc t relationship, at the same time, also reflects this time calligraphy is in the transition per iod of history facts in the Tang and Song Dynasties Book wind transformation on this k ey link Yang Ningshi type has the irreplaceable effect. This paper tries to combine the cultural background, from the analysis of the two works of Yang Ningshi, discussed the five generation calligraphy transformation problem.The article is divided into four parts:the first part, combined with the historical and cultural environment in the special period of the Five Dynasties, analyses the reason of calligraphy and the development trend of transformation in this period; the second part, a concrete analysis of Yang Ningshi calligraphy style performance, reveals and flow Yan g Ningshi calligraphy style source:"leek flower tie" out of control into the moment, dig nified and elegant, is derived from "Tang Is the law " legacy "summer love"; not care a bout one’s appearance, detached and wild, open the "new wind song Shangyi"; the third part, the calligraphy transformation occurred during the five Dynasties period is reflected in the calligraphy inherent law of development, is the trend of historical development, in the key nodes, the practice of calligraphy Yang Ningshi conforms to the historical trend of the times, it has played an important role in this historical transformation; fourth par t, elaborated the Yang Ningshi calligraphy art pursuit is still has realistic meaning to the lack of the spirit of calligraphy today.