The Analysis Of Female Images In Contemporary Yimeng Literature

Yimeng Literature has the important status in modern and contemporary literature, but the study of it has been delayed. In the new period, inherited the Spirits of Yimeng and the traditions of Red Cultural, the creation of Yimeng Literary in the call of the times has been more prosperous, this phenomenon has been emphasized in academics, as well as a number of images of women created in Yimeng Literature which are full of geographical features and characteristics of the times that has caused concern of scholars. but totally say, the study is mainly focused on single image of women in some writers and some works, such as the works of Miao Changshui, Zhao Defa. There have been few comprehensive studies on the whole Yimeng female images on the contemporary literature.Based on the specific analysis of the texts, this paper is trying to collect works of Yimeng Literature as more as possible from the different periods since the foundation of China and summarize the various female images. Using the method of text reading, group study and classified study, this paper is devoted to making a further discussion on the common characters of the female images in Yimeng Literature, and to explore the differences in the various periods, than outline the changing track, finally resolve the value and significance from the perspective of the history.In this article, the female images will be divided into three main types, Starting from the traditional,revolutionary and tragic characteristics to explore the commonalities on this basis.In terms of generality, living in Shandong, the historic province and deeply influenced by the traditional cultural of Confucian, women all inherit the traditional virtues. On the other hand, in modern times, under the influence of Red Culture in Lunan revolutionary base, inevitably, the images of women become the epitome and portrayal of Yimeng Spirit. In addition to the generalities, due to the ever-changing contemporary political and literary policy, since the socialist construction period, the Great Leap Forward, the Cultural Revolution decade, and the period of reform and opening-up, women images of Yimeng Literary in different periods also show different characteristics of the times, especially is the rise of women writers in the 1990s, women images has begun to change from the outside to insde, this made the creation of women images in Yimeng Literary goes to the unprecedented depth.The main innovation of this paper is to summarize the common connotation of female images into Yimeng Literature from Yimeng Spirit, independent spirit and Feminist, and than from the comprehensive historical perspective to discuss the evolution of the female images in different periods since the foundation of China, and on this basis, to generalize the value and significance of female images in Yimeng Literature, by proposing tragedy, aesthetic artistic conception and realism, finally to affirm the social and historical value as well as the aesthetic and literary value of female images in Yimeng literature. Meanwhile, this paper is the first to combine the Yimeng literature to Feminism, from the perspective of women on the whole to make a new interpretation of female images in Yimeng Literature, highlighting the significant influence of female writers on female images’development and evolution in Yimeng literature.All in all, Yimeng Literature created a number of images of women, with a high aesthetic value and significance, has greatly enriched the creative practice of contemporary literature.