| Painting as a direct human depict common form in different regions of the world, painting, genre is different, but the basic aesthetic experience is the same. As art practitioners, researchers should not be confined to the specious writing materials and techniques, to excavate the essence oil painting and Chinese painting, we can be placed on an equal academic level comparison, appropriate to give up difference of the material, study the picture form and deeper content. After the industrial revolution, the world is changing rapidly, various schools of Western painting has experienced constant progress, Chinese is under foreign cultural invasion and thawing, literati painting faces and then select. Change the inevitability and chanciness, what we need is to stand in the objective standpoint, equality and examine with different culture, inheritance, innovation. Cornelius Baba and Ren are positive changes innovators, Baba is the representative of Eastern Europe in twentieth Century, new realism, Ren is an important figure in the nexus China literati painting. Mr. Cai Yuanpei once said, "art is the language of the world" only, this proposition logic point of view, different period, local artists to create works of art must exist inherent similarity. Cornelius Baba and Ren although in different periods, different regions, different cultural background, with two artists of different genres of creation, but with a certain degree of similarity in the style of painting form. This paper through the research on the life and works of two artists of the themes, techniques and language consisting of art style to explore its formed by age, region and individual art ideas, identify interoperability inherent.The performance of methods Baba will realistic techniques of realism and modernism together, to create a rich picture pure, generalization, deformation, freehand brushwork and symbol combination. In 60, the works were introduced to China, he was full of strength and character of the affected China generation painter. Similarly, Ren for his creative achievements, not only should be regarded as a promoter and the enlightenment China traditional figure painting from ancient to modern transformation, should also be regarded as open up to twentieth Century China painting fully revived road, especially the pioneer figure painting the road to revival. Two a painter of Chinese modern paintings in a certain level directly affects the development direction of China painting.At the same time, comparing two people painting style, can be found in their art form with respect to each environment has certain unique features: there Chinese painting freehand brushwork spirit of Baba’s painting, and figure painting from Ren Bonian "Western painting skills".In this paper, the development of relations with inheritance as the research focus, mainly analyzes the background and reasons of form feature, two artists works style characteristics and the formation of style. The article is divided into four chapters: the first chapter, a comparative study of style. The purpose is through the common aesthetic features of other common point of the two maps of Chinese and Western painting; the second chapter, style characteristic analysis. From the picture of the dominant style characteristics, extending to the hidden cultural connotation; the third chapter, the background analysis. Study on the relationship between the subject and the world of art. The fourth chapter, contribute more. By comparing the effect, further analysis of the inheritance relationship of modern painting.The research draws the conclusion from the above: Baba and Ren Bonian painting style originated in different culture system, not the merits of the high and low points, our painting is not immutable and frozen, must have the innovation, and innovation must be on the basis of inheritance, the real experience of no difference between human art aesthetic. Painting as a direct human depict common form in different regions of the world, painting, genre is different, but the basic aesthetic experience is the same. As art practitioners, researchers should not be confined to the specious writing materials and techniques, to excavate the essence oil painting and Chinese painting, we can be placed on an equal academic level comparison, appropriate to give up difference of the material, study the picture form and deeper content. After the industrial revolution, the world is changing rapidly, various schools of Western painting has experienced constant progress, Chinese is under foreign cultural invasion and thawing, literati painting faces and then select. Change the inevitability and chanciness, what we need is to stand in the objective standpoint, equality and examine with different culture, inheritance, innovation. Cornelius Baba and Ren are positive changes innovators, Baba is the representative of Eastern Europe in twentieth Century, new realism,Ren is an important figure in the nexus China literati painting. Mr. Cai Yuanpei once said, "art is the language of the world" only, this proposition logic point of view, different period, local artists to create works of art must exist inherent similarity. Cornelius Baba and Ren although in different periods, different regions, different cultural background, with two artists of different genres of creation, but with a certain degree of similarity in the style of painting form. This paper through the research on the life and works of two artists of the themes, techniques and language consisting of art style to explore its formed by age, region and individual art ideas, identify interoperability inherent.The performance of methods Baba will realistic techniques of realism and modernism together, to create a rich picture pure, generalization, deformation, freehand brushwork and symbol combination. In 60, the works were introduced to China, he was full of strength and character of the affected China generation painter. Similarly, Ren for his creative achievements, not only should be regarded as a promoter and the enlightenment China traditional figure painting from ancient to modern transformation, should also be regarded as open. |
