The Research Of SunLong Ideal Flower-and-Bird Painting

In the development of freehand brushwork flowers and birds painting in Ming dynasty, generally emphasize wu door of the house of the contribution, as well as the "white green" for the creation and change of freehand brushwork flowers and birds painting, but there is no denying that they were getting elder flowers and birds painter, painting since the moist. Sun Long is one of the influential figures, at the same time also is in the process of development of freehand brushwork flowers and birds painting in Ming dynasty is very important.As a generation of new wind freehand brushwork flowers and birds painting, open Sun Long not only by its individual artistic practice made pioneering achievements, and with its unique not bone fusion method and ink painting freehand brushwork in traditional Chinese painting method, contain the aesthetic taste of literati paintings, set up the flowers and birds painting of the new features of the court.However, in today’s world of art history study of Sun Long and positioning is still in a relatively obscure position, from the perspective of the theory research and creative practice of painting should not underestimate the significance of its existence. Palace flower-and-bird painter in Ming dynasty, but also have the literati freehand brushwork in traditional Chinese painting of flowers and birds painter nots allow to ignore. Sun Long in its contribution to the development of the whole evolution of freehand brushwork flowers and birds painting in Ming dynasty point and its status in the confirmation, this article wants to solve the problem.