| Guzheng playing with singing, which combined with Chinese classical poem and line perfectly, are part of the important traditional artistic expression. It has unique style of performance and composition that absorbed the skill in Zhengge or the method in folk song and others. It is also needed paying much attention to the sound and rhythm’s cooperation between the playing and singing, eventually enrich the performance form of guzheng or zither and promote player’s comprehensive ability, especially when performers need to interact with the audience and elevate the audience level of judgments towards appreciation of beauty.The author is very interested in this art form,and carry out the relevant research, in which author find that guzheng performance with singing integrate guzheng’s unique timbre and vocal music expressive force well. It may meet the aesthetic demands of the audience better. The guzheng soloists have done some beneficial attempt, also made a good experience.The musical performance form of singing while playing guzheng was researched in this thesis roundly and systematically. Its history was reviewed and the reason for its disappearance in recent centuries was summarized. This performance form was analyzed from guzheng playing and singing technique. The contemporary music performers and music education workers how to regard the important subject was discussed. The research finding of the author and the prospect of this art form was put forward. |