Research On The Form And Carving Of Figures Patterns Of The Ming And Qing Dynasties Carved Wooden Plate

The Ming and Qing dynasties carved wooden plate stained with the superb artistry of the Chinese nation one thousand skillful Craftsman, is the material carrier of Chinese traditional culture. With the revival of traditional culture, keep the rise of national traditional handicraft policy, study the Ming and Qing dynasties carved wooden boards, the basic form and sculptural forms, and for inheriting Chinese traditional culture and rich woodcarving plate research is of great significance, also provide theoretical basis for modern wooden plate design, part of the research method can provide reference for other related areas of research and reference.To the Ming and Qing dynasties carved wooden form and carved plate character lines of basic research, mainly adopts case study method and inductive method, through the analysis of the myth characters, historical figures and secular character lines form style, inductive character lines the basic form of law; by analyzing the deep anaglyph, comprehensive carved bas-relief, valuable, such handiwork and form style, inductive character sculpture form regularity of grain.The research results show that the Ming and Qing dynasties carved wooden plate characters of grain overall outline is given priority to with horizontal rectangle, single character is located in the center of images, mainly reflect positive characters, more than two characters and their positions are flexible, with picture, full and background fusion, using plant grain, intentional grain and architectural scene foil theme; the body of the character lines pattern carved percentage concentration between60%～93%, the carved levels are rich, main point perspective is adopted to improve the performance, sculpture in the forms are good topics.