The Aesthetic Orientation Of Landscape Painting During The Song And Yuan Period

Landscape painting is an important branch of Chinese traditional ink painting ispainting, to the natural mountains and rivers as the main description object. Thelandscape paintings from the period of the Wei Jin Southern and Northern Dynasties tothe Sui and Tang Dynasties, when the painting into an independent, in the song andYuan Dynasties is a China ink painting one of the important development, gradually tomature. The Song Yuan landscape painting is a peak in the history of landscape paintingin the song and Yuan Dynasties, landscape with personalized brushwork and cultureformed the picture quality, show the painter spirit and aesthetic thought. From thetheoretical origin of landscape painting, art Chinese traditional culture of Taoism,Confucianism and Buddhism philosophy thoughts on landscape painting has laid a solidtheoretical foundation. From the view of landscape painting the background of theformation of aesthetic point of view, different people will have different ideas on thelandscape, the landscape painting QuMei embodies unique humanities. Ink from theaesthetic factors of landscape painting, pen and ink to paper, description of the naturallandscape, nature is reflected in the landscape. With the rapid development of Chinesepainting, the landscape painting showing a diversified development outlook. If into theSong Yuan landscape painting techniques and the aesthetic thinking in the existinglandscape painting, will provide space for the development and progress ofcontemporary landscape painting in China, will directly promote the development ofChinese contemporary landscape painting. So, in this paper, the aesthetic orientation ofsong and Yuan Dynasty landscape painting as the object of study.This paper adopts literature research method, the example analysis method andmethod of the overall summary of the analysis techniques and aesthetic thought, art,landscape painting landscape painting materials, and focuses on the following: one isChinese Song Yuan landscape painting aesthetic view of art research background factorsform; two is the influence of the traditional China the spirit of culture and art in theaesthetic orientation; three is the unique charm of the Song Yuan landscape paintingaesthetics; four is the aesthetic significance of the study China Song landscape paintingand the development of the contemporary landscape painting inspiration. In conclusion, this study highlights the unique charm of the song and Yuan Dynasties China landscapepainting aesthetic ideas, as well as in the importance of the landscape paintinginnovation, efforts to build up a clear and complete learning, reference, summed up theSong Yuan landscape painting knowledge system, and on this basis to the futuredevelopment of the art of landscape painting to explore the feasibility.