Acceptance Construction And Specification: A Study On Aesthetical Features Of3D Movie Creation And Acceptance

With3D movies as point cut, this paper mainly discusses the construction of3Dmovie in terms of movie aesthetics and the specification of traditional films on3Dmovies in the perspective of movie aesthetics.The study mainly consists of three parts: Firstly, it defines “3D movie aesthetics”systematically. Originated from aesthetics, this study finds out that the essence ofaesthetics studies which is the study on “the essence of beauty” is to study disciplineswith philosophical speculations rather than simple explanation of “beauty” and“aesthetic feeling”. Based on traditional movie aesthetics, this paper gives a ratherprecise definition of “3D movie aesthetics”, and summarizes its related theories anddevelopment. Secondly, it further studies and interprets “aesthetic features of3Dmovies”. With related movie theories and practical experience, this study makescomparison with traditional movies, organizes audio-visual language features of3Dmovies and further interprets relevant features with aesthetic theories throughnumerous movie cases. Thus,3D movies creation and aesthetic rules can beconcluded in the perspective of aesthetics. Thirdly, it analyses “3D movie culturalcode”. The study not only focuses on the aesthetic features of3D movies, but alsopays attention to the external social cultural space of3D movies, and figures outunderlying causes of3D movies forming its specific aesthetic tendency and aestheticfeatures. Therefore the spiritual homeland of3D movie creation shall be guarded fromtheoretical perspectives.It can provide theoretical instruction to3D movie creation through relatedresearch and contribute to the demonstration and promotion of the unique beauty of3D movies in its actual creation. Also it studies the cultural motives caused by3Dmovie aesthetics, contributes to rational development of film culture and providestheoretical support for constructing positive and healthy3D movie industry.