Some Phonetic Studies Of The Mid-ming Dynasty And Based On The Yangshen’s Gutishi Rhyme System

Chinese Classical poetry and the ancient Chinese rhyme literature is not only theimportant research resources of the Chinese classical philology which has ancientliterature, ancient culture and ancient Chinese poetry-rhymology as its subordinatesubjects, it is also an important linguistic corpus for studying the problems in ancientphonetics. Mr Zhou Zumo is the earliest researcher who uses the study-data of poetryrhyme to research the poet’s actual oral parole factors, and to do a further exploringon the ancient dialect and Guanhua. Since Zhou Zumo, this method for ancient dialectresearching becomes continuous.This kind of researching constantly reveals a lot ofspecific information about many ancient Chinese poets, the research is relevant to theancient dialect or ancient Guanhua, on the other hand, it provides more and morebasic data for the research on ancient Chinese dialect.Based on the classic methods, We did some new original innovation. Based on theuniversality of human development, we differentiate two categories of study, They areancient Chinese philology and modern Chinese linguistics. Therefore, We borrow theidea from the principle of western classical philology to do our relational studies,especially used in the corpus processing. On the other hand, based on the experienceextracted from the independent development of western linguistics, we create twooriginal concepts.They are Coordinate-poet and Ambipoet.We use them in thecomparison of different Gutishi rhyme system for the purpose of our ancient dialectresearch.Rely on the methods in the above paragraphs, we aim to get some specific oralinformation of Yangshen, and then to find some phonetic information of Sichuandialect or Guanhua in the mid-ming dynasty period.The first chapter mainly introduced the purpose of this study,the reviewedresearch in the related field, the description for research object,the selection oflanguage material, the selection of Yunshu and the presentation of researchmethods,etc.The second chapter is an important part of this article. First of all, this chapterdescribed the summary of the rhyme characters,the summary is the basic corpus onwhich the Yangshen’ s Gutishi rhyme system relies. Based on the use of Xilianmethod,at the same time,got into our study some subject distinction of philology andlinguistic, and we inspected the rhyme characters from respect of the distinction between the words and phrases, the Duizhang used in the creation of ancient literature,and so on. These researches is original.Secondly, this chapter also detailed in the study of the author’s writing style in aclassical-literature way, and aimed to mutual support the author’s literature creations,and then concluded the poet’s various rhyme patterns, and got some special rhymeexamples. Among the studies above, we determined the rhyme habit of Yangshen’sGutishi,and summarized all the pairs of rhyme characters,it influences the research ofthe whole rhyme system.Finally, the inquiry of rhyme characters,the early work, we found a nonidealrhyming in Guangyun and a more ideal one in Pingshuiyun and Zhengyun.Because ofour study method,we abandoned the use of Guangyun.The third chapter got the final rhyme system of Yangshen’s Gutishi on the base ofstudies mentioned in the above paragraphs.we also studied the special rhyme exampleand got some preliminary conclusion.In the fourth chapter,we discussed the theory base for the comparison of rhyme.Inthis chapter,we combined the thinking about the independence of Chinese Linguisticand the development of Chinese philology.Then we continued our study on the baseof discipline modernization.The fifth chapter,we launched a comparing work between the different rhymesystems.The sixth chapter is the conclusion.