The Regeneration And Identity Of National Culture

Huashan murals is one of the most representative cultural symbol in guangxi.In guangxi many important urban public space, huashan murals for the prototypeof the modern art derivatives greatly reveals the traditional culture of ethnicminority area regional, aesthetic, and divine nature, it is these "localization"symbol form a force to compete with the global integration trend. Huashan muralsregeneration is archetypal symbols deformation, a series of art, has both historicalcontinuance time of integrated traditional culture, but also has the traditionalculture to choose space reconstruction, they constituted a "variant chain" fromgeneration to generation and a " time chain "from a common motif. This papergoes beyond previous studies will Hanayama murals as visual objects are static,plane and cultural phenomena, by using the method of aesthetic anthropology,based on field survey data, from the diachronic and synchronic two aspects todiscuss the murals of Huashan this traditional culture divine vitality--"Charisma"trait. The main analysis from the religious holy "Charisma" trait how deeplyrooted in Huashan mural archetypal symbols? This archetypal symbols and how asearly visual art, play an communication language functions in non text period, andbecome a sacred writing? And why Huashan mural,the "past" things will be theobjects chosen for national culture regeneration and identity in modern society?When Huashan murals derivatives in a variety of artistic image to come out, howit is reflected in the Guangxi people art reconstruction of the national culturalidentity and national identity?...