The Study Of Transformable-bird Type In Classical Chinese Tales Before Song Dynasty

Historically, birds are describing objects of poets and literary men. Before long, theancient mythology has "Dourm",“Bird of prey" and other birds of images. In the TheBook of Poetry,the Guan Ju becomes the symbol of giving stretch the bird love. And inthe Li Sao and Jiu Ge,Qu Yuan also mentioned the God Bird of Phoenix many times. Inthe Han Dynasty, The boom of a " compose a poem of the singing bird " dashes upwardwind. Famous articles have the compose a poem of Fu bird of Jia Yi and the compose apoem of white crane of Wang Can and the compose a poem of god bird of Ban Zhao andso on.By birds as the theme of the novel is also a lot of. The four hundred and sixty to fourhundred and sixty-three volume of Tai Ping Guang Ji collected images of a variety ofbirds in the novels from Han Dynasty to the early of Song Dynasty. To plus a mythicalbird of the Han Dynasty ago, the bird’s image of classical Chinese tales is colourful. Typein this among them, the Transformable-Bird Type is an extremely important category andregards bird unreal or adult content as the core. The story of type contains the totemworship, religious belief and ghost in the theme content, and treflects the timebackground, social environment, etc. Various types of this kind of story, are a substantialone and a total of about80, having a profound historical culture origin and profound folkculture. As an important part of the bird’s totem worship, birds’ mythology and birds’religion culture, the Transformable-Brid Type has various research value of literature,folklore, ethnology and so on.The article from the six aspect of study of Transformable-Bird Type. In the second,third, fourth parts mainly:The first part is introduction: The first, Mainly, the article chooses the topic becauseof two aspects from the uniqueness of the classical Chinese tales and theTransformable-Bird Type. The second, Teasing the research status about theTransformable-Bird Type in academic circles and research methods used in this paper.The second part: To overview type incarnation bird story. Using views of StithThompson of a famous American folklore to explain what is “Transformable-Bird Type”. And then, in avatar form, to categorize incarnation of Transformable-Bird Type mainlydividing into two types of active embodiment and forced. While on the topic content, tosumme up the six themes from the Transformable-Bird Type: immortal bird totemworship, ghosts efficacy, cultivation and karma, loving of men and women, etc. The end,based on time axis, the article expounds the history of the Transformable-Bird Type: theTransformable-Bird Type from the oneness in pre-Qin period to the form of diversity inthe two Han dynasties to the six dynasties to mix of story content in Sui Tang and theFive Dynasties reveales different development characteristics under the background ofdifferent time.The tird part: To illustrate the few motif of Transformable-Bird Type and show theevolution and the construction mode of the story in the context of a specific.The fourth part: From mythology, religion, folk custom and the geographicaldistribution of four aspects, to analysis the profound connotation of the story anddiscover the novel and unique literary value of story. Mainly includes four aspects ofliterary interpretation: faith embodiment and totem worship, becoming an immortal onnewly sprouted wings and cycle of retribution, all things having spirit and essence of age,rice civilization and bird world view and so on.The fifth part:. To state the evolution in later and the literary significance ofTransformable-Bird Type from two masterpieces of Liao Zhai Zhi Yi and Feng Shen YanYi.The sixth part: To summarize the article content.The end of the article is appendix. The author lists classification ofTransformable-Bird Type in classical Chinese tales before Song Dynasty in an appendixand uses retrieval of literature for geographical distribution of all stories. The purpose isto find out the locality of the story and coincide with the fourth part of the regionalculture combined with the geographical feature. As result of understanding of theconnotation of the story clearly and intuitively.