An Analysis Of The Relationship Between Landscape Painting And Creation

Since twentieth Century, especially after the establishment of new Chinese,China social reformand puts forward new requirements for Chinese painting,due to the impact of the influx of Westernlearning, Western and the newconcept of art, China painting also face new challenges in thisperiod. In such a case, Chinese painter in order to get a better development in the tradition ofexcellence, we must absorb nutrition from real life, and to guide practice with correct sketch view.At the same time, the appropriate absorption of certainconcepts and methods in Western painting,to enrich the performance oflanguage and form Chinese painting.Based on Fu Baoshi, Li Keran, Wu Guanzhong, Shi Lu four artists as an example, through acomparative study of how the four artists face nature and tradition, how to sketch and break theirmade in Chinese landscape painting of the three aspects, aims to explore the four sketchingprocess common and successful in common, so that the relationship between sketch and thecreation of landscape painting, as well as on their own learning thinking.