| The broadcast of Business in1989became the origin of TV series about business war.In the25years, it arose more and more attention; on the contrary, the study on TV series about business war is relatively lagged. In view of the current situation, taking the art of TV play as a jumping-off point of research, taking into considerations the artistic theories of drama and film, taking film narratology as the theoretical foundation of the essay, and borrowing the theories of multiple disciplines such as history, aesthetics and sociology, this dissertation is aimed at giving systematic study on this type of TV plays. The essay is divided into four chapters. The first chapter of the essay, respectively from three aspects which are content of the play, expression of the theme and setting of the play, discusses the two concepts——business war TV play and family TV play, by comparing their similarities and differences, and then gives an explicit definition to the concept of business war TV play in mainland China. In the latter part of the first chapter, the development course of business war TV play in mainland China is summarized periodically; Chapter Two, from the two aspects of analyzing the time backgrounds and creations of conflicts,the essay has the deeper exploration and integration about the theme of business war TV plays.Chapter Three is mainly from the perspective of film ontology and typology to classify the type of the characters appeared in this kind of TV plays. Based on this,this chapter classifies and summarizes the business war drama diversified and complex character set by horizontal business war drama analogy Mainland characterization methods.Chapter four analyzes the negative impact brought by the business war TV plays to the social aesthetic value, the cultural aesthetic value and the aesthetic value of art. Additionally, a number of suggestions and recommendations are proposed by the end of the essay, aiming at the enhancement of its aesthetic values. |
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