Ruan And Ruan Music In The Development Process Of National Music

Ruan, evolved from the lute, as a solo instrument, not only has its uniqueexpressive force, in the national instrumental ensemble, ensemble plays an important role. Its mellow,gentle, is China’s only a plucked string instrument family. Like the western orchestra’s horn, can playan important role in promoting the musical instrument timbre, volume balance betweenunity. The Ruan family cohesion that makes all the instruments in the band to form aharmonious whole. With the continuous development of national music, Ruan through aseries of reforms, greatly enhances the expressive force, has been widely used in variousforms in the play. Ruan in continuous improvement at the same time, Ruan’s uniqueexpressive force has been brought into full play, the composer created a strong ethniccharacteristics of the Ruan music. In this paper, the folk music in the background of thedevelopment, along with the development of Ruan Ruan and brought the musicalinstrument performance, music infection ability, thus promote the development of Ruanand Ruan music.This paper is divided into three parts, the first part is the Ruan music formevolution, first is the early form of performance research of Ruan, followed by analysisof the modern Ruan, Ruan solo instruments as features, finally is in accordance with theage development sequence, shows the application of Ruan in a band, and summarize thecharacteristics of the band zhongruan music; the second part to the Han, Uygur,Mongolian, Dong, for example, in the application of Nguyen Le Chang’an ancient musicelements, Uighur segmentation rhythm, Mongolia long tones, polyphonic Dong andother ethnic musical elements to analyze, explore music in the ethnic elements Nguyenheritage; the third part is the analysis of the modern elements of the three firstrepresentative Ruan music, summarize the characteristics of the modern music of ruan.