The Reseach Of The Film And Television Adapted From Historical Novel By Er Yuehe

Literature have become closely linked to film and television fo r a long time,there is no doubt that the film and television art is greatly depend on the literature.Adapted from1999Er Yuehe’s historical novel "the Yong Zheng emperor" of the TVseries " Yong Zheng dynasty" and adaptation of2001another Er Yuehe’s novel"the Kang Xi emperor" TV broadcast "Kang Xi dynasty", won the praise ofnumerous audience, but also attract quite a lot dispute. In this paper, the author withEr Yuehe’s historical novel of the film and television adaptation as the researchobject, based on the historical novel text and adaptation of the film and televisiontext, intertextuality theory as the foundation, analyzes the basis of adaptation in ErYuehe’s historical novel, Then further to in-depth analysis the film and televisiontheme,characterization, narrative elements in the process of adaptation, show afiction and film and television presented during the transformation process in theintertextuality characteristic.Out of the introduction, this paper is divided into five parts altogether. Theintroduction part mainly discusses Er Yuehe’s historical fiction film adaptation ofthe selected topic summarizes the reason and significance, points out that theacademic circles at present for Er Yuehe’s historical fiction film adaptation of thepresent research situation and the main ideas and methods, trying to make up for theacademic research of historical novel for film and television adaptationphenomenon.The first chapter mainly analyzes text foundation of film adaptation of ErYuehe’s historical novel, pointed out that Er Yuehe’s historical novel language inaction, plot tension makes it suitable for film and television adaptation，And thedirector also emphatically on the basis of respecting the original interpretation ofcontemporary and adapted for the theme of the location and the arrangement of theskeleton.The second chapter mainly analyzes Er Yuehe’s historical fiction filmadaptation of the subject. This chapter mainly discusses the, in the film andtelevision adaptation for historical novel of nations and peoples demands, the viewof Confucian traditional culture and theme of machiavellian culture faithfullyconvey, At the same time there is a display of human subject, theme of simplified,the attenuation of the critical theme topics such as variation. The third chapter analyses the characters in the film and television adaptation.In historical film and television adaptation of the novel, also presents the charactersadd or delete the phenomenon of processing, at the same time, the main characters inthe novel and the minor characters in the process of adaptation and all sorts ofchanges have taken place, and these add and dealing with the change of thecharacters can clearly reflect the choreographer’s foil theme, main cha racters, suchas’ motivation.The fourth chapter analysis historical novel narrative of film and televisionadaptation. This chapter mainly from narrative to talk about timing and narrativerhythm, in narrative sequence, mainly discusses the adaptation aft er narrativepresents the characteristics and changes of time series. And adaptation of thenarrative rhythm is adapted from the novel to the film and television play, to bear thecombination between story events show up in the arrangement of pause, repeti tion,contrast analysis presents the rhythm.Last part, this is chapter five paper tries to summarize the historical fictionfilm adaptation of the value and plight, adapted to be sure to promote the interactionbetween literature and film and television, as well as facing the phenomenon ofauthors and scholars disagree, and this passage try to analysis in the text. In order tobe able to contemporary historical novel of film and television adaptations providevaluable thinking, explore the film adaptation of the path to success.