Abstract Thinking And Consciousness Of Figurative Painting

The painting belongs to the plastic arts, divided into concrete and abstract twobasic forms. In painting, the two are different from each other and mutual penetration,but the two extreme and they are not oil and water don’t thaw, exactly is one of thetwo sides, mutual dependent phase.Usually, the aesthetic meaning of painting is mainly reflected in the abstractpainting, abstract painting spirit factors as combination of personality between thelines, shape, color, these combinations can convey some ideas and fun to the audience.Through the appropriate abstraction, generalization, non essential factors to theobjective things in the visual logic, and to form very reason of causing phase backand the objective reality feeling, in pursuit of a true inner spirit and great visual effect.Concrete and abstract interactions reasonable, convey the artist to better emotionalcatharsis, individuality position and subject consciousness of thinking. In a sense, it isbecause of this kind of abstract thinking and consciousness of the whole process offigurative painting has been lingering in the painter, the picture has the valuablecharacter, has exceeded concrete outside the scope of a broader appreciation of space.The first part of this paper mainly describes the "one"(that is, the body painting)in "two"(i.e. painting the concreteness and abstraction) concept, and analyzes therelationship between the "two sides". The second part mainly analysis the abstractpainting has a different emphasis in different periods, the abstract factors in thedevelopment of the whole history of painting paintings during all culvert. The thirdpart according to the representational painting master works, concrete analysis formsof abstract thinking and consciousness of painting from the line, form a few frames.The fourth part mainly from the "two aspects" and "reality and non reality show" theintrinsic spirit to analyze the characteristics of the concrete and abstract thinking andconsciousness of painting. Finally, the fifth part of the thesis is using abstractlanguage in painting, in this part the author expounds the next graduation creationmain body consciousness and abstract thinking.In China, traditional art culture provides the opportunity for painting. In the collision of contemporary Chinese and Western culture, we must swallow anythingand everything, and starting from the Chinese aesthetic consciousness, digging thenoumenon value, pay attention to the time development and contemporary Chinesesurvival status of creation and bold exploration, and gradually create a unique veryChina style of figurative painting, open up the road for China’s oil industry.Through the research and Exploration on the concrete to abstract thinking andconsciousness of painting, hope to be able to promote the research of figurativepainting, so as to better our artistic creation.