The Comparative Study Of Female Painter Image Form

The syncretism trend of Chinese painting has been brought up since western learning introducedinto China in modern times, thus the image oil painting naturally contain both the east and westideological connotation of traditional culture which has been proposed from conceptual to thelevel of theoretical research in recent years. The research direction is basically the traditionalculture and its spirit connotation, and it is also the inevitable outcome of the deep thinking andexploration practice of the artist. At present, the theoretical study of the image oil painting returnsto the art’s ontology, namely the objective analysis of linguistic features and form. Under theinfluence of the current social environment, the image oil painting language thinking logic is stillthe essential issues of its research and future development. Much innovation has been created bythe contemporary female painter group with their richness imagination and perceptualcharacteristics which make the contemporary image oil painting more diverse. Therefore, thispaper mainly discussed the formal language construction from the perspective of female paintergroup, analyzes and expounds objectively the close relationship between the women and thesocial environment and the "humanity" combining with the current society and the innerpsychological activities of women to keep track of the expression technique of current femalepainter through the comparative study of aesthetic form by the female painter group. This paperresearched the modern and contemporary feminine own inner personality traits based on theanalysis of the commonness and difference in modern and contemporary art form of women groupto observe of the development and changes in the personalized image oil painting form local to thewhole in order to grasp the aesthetic trend of the current image oil painting and provide thenecessary data and materials to the innovation conception at present time.