| Claude Achille Debussy(1862-1918)was an outstanding representative of theimpressionism, his work by the end of the19th century impressionist paintings andsymbolism literature in the early20th century, his works are mostly used to convey detailsof impressionist color, as his life, the only an opera works created Pelleas and Melisandewhich evident his creation style and creative features obviously.The whole opera containsthe symbolic, tragic, obscure and naturalistic factors.The opera drawn from Belgium dramatist maeterlinck, tells the medieval feudal era inEurope, in fictional kingdom and ethical tragedy love story, the main characters are Gro,Melisande and Pelleas this three people’s love story, There are not long opera aria in thewhole, no obvious music orgasm, Debussy used music created every character successful,especially the three leading role. In the perspective of character shaping, this chapteranalyzes the three protagonists in the play. In addition to this two parts—the introductionand conclusion, this article is divided into four parts:The first chapter describes the author’s biography and opera creation brieflyintroduced, mainly introduces the creation background of opera "page".The second chapter describes the aspects of music ontology deeply analyze thecharacters shaping. Debussy’s music has a general music features, but also according todifferent characters of different music characteristics of each character. This chapterincludes three parts: first,"Gro" characters shape analysis. Second,"Melisande" charactersshape analysis. Three,"Pelleas" characters shape analysis. Mainly from the dominantmotive, melody, harmony, three aspects are analyzed.The third chapter discusses about secondary creation should pay attention to the maincharacter of the problem analysis, from the aspects of melody, strength and tone, language,etc were analyzed.The fourth chapter discusses the mesningfull of main characters in the opera characterresearch significance were discussed... |
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