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The Aesthetic Study Of Phoenix Design Of Chu Lacquer Ware During Warring States Period

Posted on:2015-08-20Degree:MasterType:Thesis
Country:ChinaCandidate:N LiuFull Text:PDF
GTID:2285330422482676Subject:Art of Design
Abstract/Summary:
Chu is the largest country in the Warring States period, the land area, the economy andculture is relatively developed. While the period of lacquer mostly came from the Chu region,archaeological excavation of the tomb of the Warring States period has also to the tomb are. Inother words, the Chu lacquer ware represented a peak lacquer culture development of theWarring States period. To trace back the origin and forming of the phoenix patterns, patternformation and evolution in time and space, and the forming and evolution of phoenix patternsfrom the aesthetic perspective, it is of great significance to the study and inheritance of culture,design innovation and its application.(1) Literature. Literature is the basis and purpose of topic research, this paper analyzesthe process and summary for the Warring States Chu, historical and cultural development ofChu lacquer development as well as the phoenix design topics such as literature, provides animportant foundation for the research of the whole subject.(2) The method of comparative study. For the study of the Warring States periodPhoenix Chu lacquer in grain is an important aspect of the interception process China culturein the development of a comprehensive analysis and study, the need for analysis andcomprehensive comparison of horizontal and vertical to the Chu lacquer ware in Phoenixgrain, features and artistic characteristics in order to find out the Phoenix image.(3) The method of investigation and study. In order to achieve the research moredetailed, real, the need for further analysis and Research on the basis of existing researchresults. Based on this purpose, based on mastering a large number of literature, in-depthHubei Provincial Museum and other Chu lacquer of on-site inspection, production and visitedthe Chu lacquer ware everyone by making skills, modern, anti and argument to obtain moreaccurate research results.Research throughout the entire process of subject, the Chu lacquer ware Phoenixdecorations, hand should be combined with regional culture (the Chu culture and historicalbackground); on the other hand, Phoenix is the legend of ancient Chinese an auspicious bird,in the different historical period, the image effect, meaning is different. In the pre Qin period,especially the Chu lacquer ornamentation in the image of the Phoenix, in the formationprocess is through a specific washing, selection and development process. In this paper, thecauses of phoenix patterns formation background, have deep-seated reasons respectedanalysis, systematically elaborates the Chu lacquer Phoenix decorations for later lacquer ornamentation of the cultural background and connotation of the inheritance, and theenlightenment in Phoenix Chulacquer decoration in modern design.In the research process, the author focuses on three aspects for the development of theWarring States period, the Chu lacquer ware phoenix decoration background, phoenix patternsforms and artistic style, phoenix patterns of the cultural connotation and aesthetic spirit of theanalysis, the design idea and aesthetic spirit of the people are still worth learning and research.
Keywords/Search Tags:Chu lacquer ware, phoenix patterns, spirit, aesthetic features, inspiration
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