Existential Consciousness Of The Wasteland And Life Experiences Of The Extreme

As construction of the artistic image, the killer in the movie is a combination ofreality and imagination, through the artistic attention of unique and mysteriousindividual or organization in reality, eventually return to the individual survival ofconsciousness, the fate of writing, human expression. Therefore, in this paper, for theconcept of the killer, defined in multidimensional imagination space of the realisticprototype and artistic processing, mainly for carrying the violent protagonist (individualor group)by narrate of external behavior standards and take care of internal survivalconsciousness, and concerning the fate of the individual or marginal groups at theextreme life experience,and killer film is A general term for a sub-type of narrative filmmainly refers to the killer (or the killer group)as protagonist or around the killer (thekiller group).The killer film as film noir’s most favorite subject matter, in addition to writing ofmarginal groups and darkness consciousness, more is, some natural proximity of killerfilm and media characteristic, because of its own contains aesthetic expectations tohuman collective unconscious for original fear and Violent stimulation. Thus, theaudience in the long-term view experience, with killer film set up sub-culture formcognitive.Found some reflected in real life and presents a kind of inner drive to watch,therefore, the killer film also acts as a sub-type of film in a subject matter sense, itsremarkable form and style is more mature in an interactive influence with the audience.And the rich and varied image of the killer as a special individual existence in the twobinary philosophical proposition such as choice and abandon, loyalty and betrayal,death and redemption and so on. Making killer film deepening thickness of the intrinsicideological value based on typed feature.The killer film due to its ancient motif schema has a fixed pattern in narrative, butwith the influence of post modernism, the killer film narrative pattern and shaping killerimage began to appear a certain degree of digestion, which is after the outstandingperformance of modern Western culture.Systematic study the killer film, make us from perspective of the film sociology,film psychology, film ethics and film anthropology to review media characteristics ishow to profoundly affect the psychology of the mass collective. Meanwhile, The killerfilm as key subject matter of film noir, Clearly reflects the creative style of director and era-specific cultural and ecological of film in aspects of stylized images and respects theindividual life circumstances. Research on the killer film, will help us a more detailedunderstanding of the relationship between form and style as well as connotation in filmnoir, so as to further learn the evolving social historical reasons and cultural connotationof the classical Hollywood era gangster film, crime film, detective film and other typesof film continuous development and growing mature.