Orchestration Studies About Berlioz’s "Symphonie Fantastique In C Major" Of" Id é E Fixe "

Hector·Louis·Berlioz, French romantic music parties of the main representatives,1830created “Symphonie Fantastique in C Major” is a representative of the19thcentury’s title music. Works of idée fixe, are symbols of Berlioz’s ideas are image, sofull of rich romantic fantasy colour, the main melody in works appear ten times, afterall kinds of different degree of deformation and presents different function, colour andimage. This paper on the work of the most typical significance " idée fixe " inorchestral instruments (melody material, tone, materials, instruments technique,technique strength and narrative theme, etc) is studied and analyzed, and the researchinto the instruments never features.The first chapter, Berlioz the fantasy symphony in C "relevant backgroundsituation, analyze this period of the music creating background, this work of the bandand the ideal sound effect of Berlioz, in this period to the relevant background do apreliminary understanding.The second chapter, vehicle for a fixed melodies, rhythm, pitch, tone and tonalchange research, to analyze the Berlioz in each movement of the material useddifferent melody.Chapter3, for a fixed ideas appear in the use of the instrument or combination ofdifferent instruments, to analyze the Berlioz in each movement of the material useddifferent tone. Only the melodies material and the analysis of these materials tonematerial, to further explore the whole orchestral instruments.The fourth chapter, through the efforts of the change of fixed vehicle handling,can understand this with Berlioz romantic features of instruments treatment, seek theamplitude of the performance and make efforts to expand the frequency andamplitude are compared greatly strengthened, and strength changes more rich way,not only through the spectrum face the required expression dynamics, more throughthe voices of increase and decrease the tone or more to pass to achieve this effect.Chapter5, longitudinal and transverse from the perspective of Berlioz orchestralinstruments thinking, vertical structure including homogeneity verses heterogeneitystructure, and the horizontal distribution modes include yan with adapter, to thefundamental key and local coloring, unity of the technique.Chapter6, each movement is a topic that show the narrative of emotion. Berliozthrough this sound changed fixed ideas, to show described in the literature of that kindof lively and concrete artistic image, music and literature to facilitate the performancemay be close to the way, at the same time, it pure instrumental to the genre with clearinto the directivity factors, thus giving the subject of pure instrumental in moreconcrete properties.