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The Hui Nationality Traditional Architectural Symbols And Their Interpretation In Modern Architecture Creation

Posted on:2017-04-09Degree:MasterType:Thesis
Country:ChinaCandidate:R Y WangFull Text:PDF
GTID:2272330503968803Subject:Architectural design and its theory
Abstract/Summary:PDF Full Text Request
In the late 20 s entering the era of globalization, the traditional architecture with ethnic and cultural property in every country and every nations are facing the gradual disappearance of the situation. The Hui nationality as one of the China’s ethnic minorities members, its national culture is the important part of Chinese troditional culture. Undering the tempered of history, The Hui nationality forms a distinctive national cultural characteristics. However, due to the process of urbanization traditional Hui nationality neighborhoods is undergoing change, traditional architecture with national memoryhas been slowly depleted. Modern architectural design with national cultural identity are recognized by more and more architects and public. How to blend traditional national symbols and modern architectural design elements is an important issue in today’s architectural creation. In this paper, using semiotics to study the theory of semiotics symbol of The Hui nationality traditional architecture characteristics, classify The Hui nationality traditional architecture symbols and combine with modern architectural creation, explore the basic content of modern interpretation of The Hui nationality traditional architectural symbols, sum up its interpretation of the model and the thinking, method, principles of interpretation, provide a theoretical basis and practical reference value for The Hui nationality traditional architecture and cultural heritage.The main contents of the paper is The Hui nationality traditional architectural symbols and their interpretation in modern architecture creation. Using literature research methods to do a simple study on The Hui nationality traditional architectural symbol of the background and developed. Applying Peirce’s semiotics, according to the relationship between signifier and signified of the symbol, the The Hui nationality symbol traditional architecture is divided into three types: Images of symbol, Indicative symbol, Symbolic symbol, and study their essential characteristics and contact. Then, based on the study of architectural semiotics, and combine with modern architectural features and modern architecture creative approach, to summary the Hui nationality traditional architecture symbol of modern architecture in the basic interpretation of the content creation: The building itself is a symbol composed by the architectural symbol system, a successful building itself contains architectural symbols and architectural symbols of composite structures. Therefore, the Hui nationality deductive of the traditional architectural symbols contain mainly two aspects: one is the structure of the system for the selection and combination of traditional architecture symbolic interpretation, the second is that every architectural symbol itself re-creation. In the research of The Hui nationality modern buildings and based on the analysis summarized, article respectively from the two basic elements research and analysist he modern interpretation of a traditional Hui nationality architectural symbols. Firstly, do research on The Hui nationality symbol combination of traditional architecture in building a modern interpretation of the creation process of the system, Then study The Hui nationality symbol of traditional architecture itself re-creation, obtain modern interpretation of The Hui nationality traditional architectural symbols, contained content and principles and in the creation, design thinking and methods. Finaly, through the DaChang National Palace practice case,test and verify the above summary of the theory.
Keywords/Search Tags:Architectural symbols, Muslim traditional architecture, Muslim modern architecture, National culture, Deduct
PDF Full Text Request
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