Theme Of Huang Jianxin Film Post-socialist Perspective

Among all contemporary Chinese directors, there’s no doubt that Huang Jianxin is one unique individual who drifts away from this generation director community by being called "people not of the same clan". He’s always a loyal recorder of time, most of his movies are about introspection, criticism and anxiety of social phenomena during transitional period of society and also about focusing on individual. After going through the fission of80s enlightenment utterance, he switches to focus on the daily life of esnes instead of using pioneer utterance which is full with intellectual temperament, to further indicate the spiritual word filled with conflicts of people under the sweep of market economy.He uses his movies to describe his quest of freedom, democracy, rule of law and etc., and deep attention for the relationship between people and time, people and society, and people and spirit. He keeps his deep sense of responsibility as an intelligentsia and standpoint of introspection, and treat people from all stratum equally without discrimination. He does not try to be the outsider sees most of the game but put himself into his movie, uses all kinds of images including forgiveness and cracks to indicate the texture of time quietly.Huang’s movie has very obvious idealism peculiarity, it looks like the figures he builds in his movie are all those people who live in the moment but also historically while in a lack of subject consciousness at the same time. And the stories told by his movie are also mostly about unavoidable dilemma coming with no signs. There’s a lot of ways to read Huang’s movie, this article starts from the view of post-socialism, tries to grasp the thinking depth and humanistic care in Huang’s movie by analyzing film text, figures and etc. under similar theme of his movies deeply, then reviews the existence condition of current realism theme movies at the end in the wish of finding reference.